Piaget Bullhead Asymétrique

Some watches tell the time. Others tell you exactly who made them—with just one glance. This is one of those watches. You could spot that silhouette across a smoky cocktail bar or from the wrist of someone who clearly doesn't check the time all that often. Which is fair, because between you and me, reading it might take a second. But then again, Andy Warhol wore a Piaget and famously didn’t care if it worked. “I just like to wear it,” he said. Respect.

This is the Bullhead Asymétrique 9465, one of Piaget’s wildest and most sculptural designs from their golden age—literally and metaphorically—the 1970s. The name “Bullhead” comes from the unique case shape that flares upward, like a set of golden horns. Or maybe like it’s about to charge. It’s asymmetrical and proud of it, almost daring you to define it.

And that’s exactly the point. Case design like this has become a statement in itself. Function and movement aside, the shape here is doing all the storytelling. You don’t wear this watch because it blends in. You wear it because it leads the conversation before you even say a word.

Piaget, long known as the Maison De L’or, was never shy about its command of gold. And this piece proves it. The 18K yellow gold case flows like it was sculpted by hand, not machined. There’s a softness to the edges and a precision to the angles that make it feel more like jewelry than tool. And then there's the dial: a rich golden sunburst that catches light and tosses it around like it’s playing with a disco ball. Gold sword hands keep things sharp (and vaguely legible, depending on your lighting and your mood).

Inside ticks the legendary Calibre 9P, the world’s thinnest mechanical movement when it launched, tucked beneath a sapphire crystal and resting comfortably in that 29mm golden frame.

This watch isn't about punctuality. It's about presence. It sits low and light but looks bold and unusual—ideal for anyone who values design as much as mechanics.